I am also interested in other media of expression such as watercolor, photography, encaustic or oil painting. It is always a pleasure to work on different surfaces and in various ways : in watercolor, the lighter values come first on an absorbing paper, in pastel, the darkest value comes first on a rough paper. With photography, you can add a third dimension to your work.
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Early Snow in Yosemite - watercolour |
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Expressions of Life - photo montage |
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Pious Lights - photo montage |
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City Lives - After Work - oil and collage on canvas
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City Lives - 9/11 Memorial - oil and collage on canvas
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In the Mood / Father - oil and pastel on canvas
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William and Uncle Fernand - pastel and oil on canvas
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Little Virgin in Moussy, Burgundy - oil on canvas
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Misty Jungfrau - oil on panel
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Omen 1 - oil on canvas
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Cities 1 - oil on canvas - 25x100
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I had the pleasure to meet the encaustic painting artist Helen De Ramus during a workshop that she organized at her studio in Marietta.
The technique of encaustic painting has been dated to as early as the fourth century BC. Although wax may appear to be a fragile material, some encaustic paintings in the form of head and shoulder portraits from the Greco-Roman Egypt still survive today.
When I am ready to paint, I melt the colored wax mixture from the tins which stand on a heated squillet. With a brush, I paint the encaustic medium onto a panel which lies horizontally so that the melted wax does not run. The wax cools very quickly so I have to paint swiftly. After applying a layer or two onto the panel, I use a propane torch or a heat gun to reheat the wax, smoothing the surface, building up layers of pigmented wax and sometimes adding other materials betwen the layers. I can also carve into the luke-warm wax to give some relief to the painting.
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Hot and Cold - silk, pastel and encaustic on panel
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Hudson Bay - encaustic on panel
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Lost Dreams / Mother - silk and encaustic on panel
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Snow on Trees - encaustic on birch panel
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